ARTIST STATEMENT

My new work combines my old style and new style, which I want to introduce, and is a mix of abstract art and realism. I do not limit myself to one medium, style, or concept.

The technique I’m using is still the same, nothing much has changed- it is the distortion, gesture lines, and the bit of texture, that helps me to move the viewers… and that’s my aim.

Each piece is an extension of my past, present, and my future. My work is meant to be read and analysed.
It is in nature that I find my true inspiration- as an expressionist- but the most important thing I wanted to do, was to put the viewers in a far world, tell my stories beautifully, and move them.

All my artworks evoke emotions and give an eye to the true beauty of art.

The YELLOW SERIES by Sinalo Ntuli represents hope and celebrates second chances, a concept that resonates deeply with him and his personal life experiences. Having been an A-student throughout his schooling days and also an all-rounder in sports, Sinalo became the first black learner to play tennis at school. He was set to travel to Australia to play tennis before tragedy struck as he was hit by a car, which left him in a coma with a permanent brain injury. The tragic event uprooted everything and set Sinalo in a direction where he embraced art, something that he had also been passionate about since standard four. The artist identifies with the color YELLOW, which resonates in his yellow series works, as a symbol of hope and being afforded another chance to be someone in this lifetime. Sinalo speaks fondly of his growth as an artist and how through art he has been able to reinvent himself and also hone his craft into the unique blend of canvas and beadworks that make up his artistic repertoire. The YELLOW SERIES captures the innocence of childhood and how possibilities are endless during that period and stands as a representation of the importance of dreams and aspirations. It shows that dreams are meant to be nurtured and that even in life’s tragedies, there is always hope and a second chance.

My name is Griffin Ansley. Growing up, I was the kid outside who picked up sticks and pretended they were aliens and spaceships; daydreaming is my specialty. I get partly inspired by movies. I love movies and cinematography, and I implement that kind of storytelling into my work. I never have a plan for what I’m drawing; I just start and see where it takes me mostly. I have been doing art since I could hold a pen, always having art lessons thanks to my mom, who gave art lessons occasionally. My approach has stayed the same since I was nine years old when I did my first pen doodle drawing, with not too much attention to the outcome but rather just the enjoyment of the process. Art is my passion; drawing is my passion. I have always wanted to expand my talents in art, expanding to sculpture or potentially painting.

ARTIST BIOGRAPHY

Nusenu Prince Mawuli, a Ghanaian artist born in 1987, is recognized for his unique artistic vision. He pursued tertiary education in arts, textile design, and technology in Ghana. In 2012, a move to South Africa marked the beginning of an artistic exploration that blends painting with textile collage to create captivating works on canvas.

Specializing in portrait painting and African print fabric collage, Nusenu’s work deeply engages with cultural identity. His artworks highlight the significance of African print fabric in everyday life, celebrating its influence on Africans worldwide. Ghana, renowned for its vibrant African prints and the iconic Kente fabric, serves as a vital source of inspiration. The artist finds beauty in the interplay of colors and textures, conveying a message of Africa’s rich cultural heritage and colorful traditions.

African print fabrics play a central role in Nusenu’s creations, chosen for their striking colors, unique patterns, and varied textures, which enhance the visual impact of his work. He believes that Africans have important stories and messages to share with the world—expressed boldly through vibrant color and design. To Nusenu, African print fabric embodies identity, history, and heritage, carrying these themes into the future.

His portraits are created in series, with thoughtful consideration given to the themes he explores. He carefully selects both imagery and fabrics to ensure they harmonize in telling compelling stories. With a profound passion for art, Nusenu views it as an essential part of culture and life, reflecting its omnipresence in the world around us.

nothing is permanent
nothing is finished
nothing is perfect
I show beauty without a face.
Something away from lust, an expression of the moment.
I believe in our strength, and that we are capable of more.
To free the mind and let the body create.
That a part of beauty is honesty.
Free from the bondage of restrictions.
True creativity in a grainy silence.
Creating a new-old world.
With the absence of disturbances.
nothing is changeless
nothing is flawless
nothing is absolute